Categories 21st Century Media Practice

Quick Reflective Thought….

My previous blog post is defiantly a “works in progress” moment following our discussions in class today. It was interesting seeing how everyone else was progressing and some of the testing that had taken place with the work and the pre-production planning.

Everyone else seemed very concise in what they were going to do and some of the challenges that they may encounter. It was also intresting to hear the feedback and share thoughts on each others work. However when I compare myself to everyone else, I feel stilll a little overwhelmed by what I could film.

My lecturer pointed out two things that have stuck out to me. I completely agree when he says I will end up being a “power house” of documentation but not anything specific. He said that I needed to consider context as well as approaches. So ideas were thrown around and this is how I interpreted it.

Do I….

Categories 21st Century Media Practice, Adventures, Art

Poets Project- Isle of Raasay.

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This was a holistic accelerated learning experience, to be able to connect with the land on a research level, emotional level through art and explore technical skills and apply them has been such an experience that has sincerly made me want to explore this further in my own creative practice and career.   I have never been to a place that has left me feeling like a part of me was left there and I am missing it. To have the sound of your hand being removed from your pocket that was so loud that my senses and ears had forgotten to scale the volume and I listened to the silence. We had to experience him, we had to listen to him.

The landscape was simply epic, surrounded by the Caledonian Mountains we scaled the Isle of Rassey upon foot and with the help of a minibus to get to our locations. We were there to document and connect with the island. We had previously been introduced to the poem “Hallaig” by Sorley Maclean.

“Time, the deer, is in Hallaig Wood

There’s a board nailed across the window
I looked through to see the west
And my love is a birch forever
By Hallaig Stream, at her tryst

Between Inver and Milk Hollow,
somewhere around Baile-chuirn,
A flickering birch, a hazel,
A trim, straight sapling rowan.

In Screapadal, where my people
Hail from, the seed and breed
Of Hector Mor and Norman
By the banks of the stream are a wood.”

( S.Maclean)

Categories 21st Century Media Practice, PGCE, Techology & people

MySpace – MySocial experience.

2004 Myspace started,

And I had started University in the September of 2003, my friends and I all followed and chatted to each other on MSN messenger & organised our students nights by communicating through text message and calls. Then someone said ” Hey check out this site, sign up and add me” 

I log on, typed in www.myspace.com, signed up and was greeted by this guy.. Tom

Categories Art, Film Making, Uncategorized

Tonal Projections

“Learn the rules like a pro, so you can break them like an artist.”
Pablo Picasso

 

Tonal Projections was where we saw our work from our Masters group come together. It was fantastic to collaboratively work together to produce this almost “pop-up” projection art from inside #TheTank Studio, at Coventry University.

We created a space that was no longer this Kryptonite cube,  it evolved into a projection art space. We had three types of projections going from within the glass cube. Firstly was the main projection on the wall, we blocked all the sunlight out so that the luminance of the projector could be at its fullest and all the colours being able to pop out at the audience.  Then there was Ken experiential projection, which evolved with the setting sun.

Categories 21st Century Media Practice, Art

Bill Viola, Yorkshire Sculpture Park & Giant Bunnies

Bill Viola is one of worlds modern, visual artists, who uses video and sensory artistry. He has for over 40 years created art in various forms, such as installations, architectural video installations, warped sound environments, while also commercial work for television. The environmental impact of the senses through perception is a way for humanity to explore self-knowledge. What is it to be human is the main question. He uses experiences such as birth, death and human consciousness. The work is spiritual both in methods and traditions.

The whole experience of going to see the exhibition at Yorkshire Sculpture park was one of a small self- exploration against the elements. We were warned that it was muddy, and yes it was. We were warned that it would be cold and yes it was. And finally we were told to wear sensible clothing…. we were a bunch of under-prepared misfits. But this was this first lesson.

Categories 21st Century Media Practice, Art

Art & the electronic Superhighway 2016-1966

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The Electronic Superhighway is a back to the future, historical exhibition, displaying over 100 artworks and the impact of computer technologies and the Internet. South Korean Artist Nam June Paik originally coined the term Electronic Superhighway. He forecasted the idea of a global connection through the use of technologies back in 1974. The Exhibition starts with the technologies that we are familiar with in 2016 and takes this technical dreamscape back all the way to 1966 and finishes with “Experiments in Art & Technology” (E.A.T). EAT was an iconic art movement that took place in 1966.

Categories 21st Century Media Practice, Film Making, Uncategorized

Monks of Wat Bo

 

This is a short Cinema Verite film, that is made from archived footage, I recorded in April 2015. It is going back to the bedrock of cinema verity and documentary film-making, free handling, no fancy steady cam. The rules are so established in our minds, there are no steady shots, clean editing and focus have been abandoned. It is about experiencing it for what it is, and being emplaced within the environment, through a sensory experience

Photography

What does it mean to be a Monk in the 21st Century? Monks in todays world, somewhat differ from the usual stereotype of a bald man, sitting under a Bodhi tree meditating. He is now more connected than ever. And this is something that has only ever interested me in photographic sense. Visiting Buddhist temples and seeing such religious practices is a sensory experience in itself. This is not something that can be shared fully through just a photograph. And that is where sensory ethnography comes in.

Sound

Sound played a huge part in the creative process to stimulate the senses. The amplitude and gain increases slowly throughout the piece and the chant that the monks are producing, is hypnotic in its tone.

Categories 21st Century Media Practice, Film Making

Zero Project

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“The film drama is the opium of the people…down with bourgeois fairy-tale scenarios…long live life as it is!” Dziga Vertov

TASK-The verite piece must be a real story about real people. We are not looking for television formats or fabricated spectacles. The essence of any engaging documentary is a story, strong characters, strong imagery and a journey, conflict, resolution or crisis that we follow through the video. These should be your guiding principles when researching and producing your piece. We want you to really explore a more fluid approach to image making in conjunction with a multi-layered use of audio to build a simple soundscape. The film should be three minutes long and should be sensory in its approach.

Categories 21st Century Media Practice, Adventures, Film Making

Cinema Verite- Film truth

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Cinéma vérité- ‘film truth’, also known as ‘Direct Cinema’?

A style of film concerned with representing truth and reality, not overtly using filmic artifice or complete directoral control.

What is Cinéma Vérité? –

Cinéma Vérité? often gets misinterpreted. It should provoke its own kind of truth and is not meant in the literal form. It’s an exploration of what the truth “may be” and all the different avenues that the narrative may explore for the audience member personally.

This video describes how Rouch believed that people were just revealing a “truer” version of themselves, not because they were performing, but it was more a reflection of Rouch and his presences as a filmmaker.