Categories 21st Century Media Practice, Final Project : Immersive Telepresence in Theatre

Embodiment, Mindfulness & Movement Part 2

“Be the centre of your storm”

Dr.Tiina Syrja

The Storm, a word which has so many metaphors. Not only in the Play of King Lear, where Lear looses his mind, but in other forms of literature. T

Twain relinquished that “weather is necessary to a narrative of human experience.” And Shakespeare told us- “minded like the weather’.  Lear is likeminded and chaotic like the storm. And in essence, these two writers are reflecting what all humans can feel internally.

Tiina Integral Yoga from Beck Stewart on Vimeo.

This was the final day of using the screen for a warm up class;: Yoga

Dr Tiina Syrja, is a Senior Lecturer in Acting at University of Tampere. Tiina is a speech therapist, yoga teacher, vocologist and is a teacher of the Alexander technique. I touched upon the Alexander technique in my previous blog “Embodiment, Mindfulness & Movement: Part 1”

The Alexander techniques was designed by F.M Alexander. He was an Australian actor who reflected and observed his human function. B.Rosenburgh 2008 describes Alexanders research Including body expression, posture, voice and body balance. By analysing and observing himself he discovered that through muscular interference he had not been using his body in the best way. He discovered that the tensions he was experiencing, were not always immediately felt but built up to a sensory value.  The methods he developed used systems within movement and body, that coordinated the distribution of the psychophysical process, starting with the head.

Categories Final Project : Immersive Telepresence in Theatre

Sisters of Sound – Sam ‘Frankie’ Fox Part 2

The Second Sister of sound was a lady called Sam ‘Frankie’ Fox, who is a performance artist and is part of the KILN Theatre Company, Birmingham.

Source: Artist: Sam ‘Frankie” Fox

The ensemble  is collaboration between a wide range of artists, that through a ‘collision of art forms they create original material that is lit with imagination , playful and focus is on the audience experience.  I had only ever heard of the KILN theatre, but had never seen one of their performance.

Tom on the other hand, has known Sam for a while amongst the Theatre scene. That morning in the theatre as we both pulled in at 7:30 am, it was a time to prepare for what day had planned. This was my brief of what and who to expect…. and by the end of what he had shown me on Youtube, I could see why Tom had asked Sam to come and teach, especially after working with Soila the previous morning.
What Sam was bringing to the table, complemented, added another layer and by the end of the session I could see the linking of human experience, embodiment & performance.





Sams describes her performances with KILN productions, as hitting the audiences in the  ‘heart, head and gutt.  The performances seem immersive for the audience members and specifically ‘The Furies’ production.Audience members enter more of a gig than a theatre.  It is playing with performance in a different way, to remove the audience member out of their comfort zone and displace them sensory, so that envokes something else within the self.

Categories Final Project : Immersive Telepresence in Theatre

The Sisters of Sound- Soila Sariola Part 1

…”People speak many different languages from all over the world, but music is their common ground. “… Charles Hazel-Wood ( Conductor- BBC Proms- Human Planet)

Actors when in training have to be centred both in the mind, body and voice. It is an understanding of the human psyche, the concept within the role which is ultimately built upon the range of human experiences through body, sensorium, mind, emotion intuition & spirit (M. Fortier, Theory/Theatre an introduction 2016)

Throughout the week of rehearsals, each morning would consist of a type of body movement or vocal class. It would centre around the use of the body being used as an instrument. When we think of the body, we think of the physical form, but what about the voice, and the existential projection that most humans possess. Language is one form of communication, but we cannot always connect in this way, yet Charles Hazel-Wood states, it is music that is our common ground.

Yet to understand Music, we really have to understand sound… And this first place is within ourselves and the vocal range that  the human can possess, if he channels it beyond the vocal chords.

These experimentations of creating sounds with the body began with the first session with Soila Sarola. A professional Alto singer and is a graduate specialising in Finnish folk music, where the voice is the main instrument. She is one of the members of the Finnish six-voice a cappella ensemble Rajaton, a Finnish word for ‘boundless’ and has released over 16 albums with the group. Soila also composes music scores for choirs and is a graduate of Finnish Folk Music.




Categories 21st Century Media Practice, Final Project : Immersive Telepresence in Theatre

This is not Stargate: Telepresence in Theatre

This is not a portal to some other dimension as in Stargate, whereby the lecturer teleports his students to some far off galaxy and they perform shakespeare.


But Imagine if you could walk up to a large flat screen, being projected on the screen is a room, that mirrors the room you are standing in. A person walks onto that screen and they are the same hight and build as yourself, but it isn’t you, its someone else. You realize that you can interact with that person, talk, communicate, there is a 2 way communication going on. So you’re probably now thinking, well this just sounds like a skype conversation.

Well its not, when you have someone the same size as you, in an endless space and you are performing Shakespeare together and the people on the screen, just happen to be performance actors from the the University of Tampere.

This becomes something else…..

Categories Art, Film Making, Uncategorized

Tonal Projections

“Learn the rules like a pro, so you can break them like an artist.”
Pablo Picasso


Tonal Projections was where we saw our work from our Masters group come together. It was fantastic to collaboratively work together to produce this almost “pop-up” projection art from inside #TheTank Studio, at Coventry University.

We created a space that was no longer this Kryptonite cube,  it evolved into a projection art space. We had three types of projections going from within the glass cube. Firstly was the main projection on the wall, we blocked all the sunlight out so that the luminance of the projector could be at its fullest and all the colours being able to pop out at the audience.  Then there was Ken experiential projection, which evolved with the setting sun.