Categories Final Project : Immersive Telepresence in Theatre

Sisters of Sound – Sam ‘Frankie’ Fox Part 2

The Second Sister of sound was a lady called Sam ‘Frankie’ Fox, who is a performance artist and is part of the KILN Theatre Company, Birmingham.

Source: Kilnsemble.org Artist: Sam ‘Frankie” Fox

The ensemble  is collaboration between a wide range of artists, that through a ‘collision of art forms they create original material that is lit with imagination , playful and focus is on the audience experience.  I had only ever heard of the KILN theatre, but had never seen one of their performance.

Tom on the other hand, has known Sam for a while amongst the Theatre scene. That morning in the theatre as we both pulled in at 7:30 am, it was a time to prepare for what day had planned. This was my brief of what and who to expect…. and by the end of what he had shown me on Youtube, I could see why Tom had asked Sam to come and teach, especially after working with Soila the previous morning.
What Sam was bringing to the table, complemented, added another layer and by the end of the session I could see the linking of human experience, embodiment & performance.

 

 

 

 

Sams describes her performances with KILN productions, as hitting the audiences in the  ‘heart, head and gutt.  The performances seem immersive for the audience members and specifically ‘The Furies’ production.Audience members enter more of a gig than a theatre.  It is playing with performance in a different way, to remove the audience member out of their comfort zone and displace them sensory, so that envokes something else within the self.

Categories 21st Century Media Practice, Final Project : Immersive Telepresence in Theatre

Stepping into the rabbit hole of Immersive Telepresence in Theatre.

 “In jest, there is truth.”
William Shakespeare, King Lear

You remember when Dorothy went to the ‘Land of OZ’, or when Alice fell down that rabbit hole?……

Yeah. Well that has just happened to me.

Lears Lapse 2 from Beck Stewart on Vimeo.

I have been exploring the world of Immersive Telepresence in Theatre, using visual immersive anthropology techniques and this is just a summary of what I encountered and felt this week….

While lost in the madness of Lear.

King Lear:Online

I find myself meeting two groups of Theatre students, that are rehearsing Shakespeare’s: King Lear. Rehearsals take place over a telepresence screen  and a window of communication is opened between two countries that are 1554.6KM apart.

This happened between students from the University of Tampere, Finland & Coventry University, UK.

But it is so much more than this…..

Categories Art, Film Making, Uncategorized

Tonal Projections

“Learn the rules like a pro, so you can break them like an artist.”
Pablo Picasso

 

Tonal Projections was where we saw our work from our Masters group come together. It was fantastic to collaboratively work together to produce this almost “pop-up” projection art from inside #TheTank Studio, at Coventry University.

We created a space that was no longer this Kryptonite cube,  it evolved into a projection art space. We had three types of projections going from within the glass cube. Firstly was the main projection on the wall, we blocked all the sunlight out so that the luminance of the projector could be at its fullest and all the colours being able to pop out at the audience.  Then there was Ken experiential projection, which evolved with the setting sun.

Categories 21st Century Media Practice, Adventures, Film Making

Cinema Verite- Film truth

Format

Cinéma vérité- ‘film truth’, also known as ‘Direct Cinema’?

A style of film concerned with representing truth and reality, not overtly using filmic artifice or complete directoral control.

What is Cinéma Vérité? –

Cinéma Vérité? often gets misinterpreted. It should provoke its own kind of truth and is not meant in the literal form. It’s an exploration of what the truth “may be” and all the different avenues that the narrative may explore for the audience member personally.

This video describes how Rouch believed that people were just revealing a “truer” version of themselves, not because they were performing, but it was more a reflection of Rouch and his presences as a filmmaker.