Categories 21st Century Media Practice, Final Project : Immersive Telepresence in Theatre

Embodiment, Mindfulness & Movement Part 2

“Be the centre of your storm”

Dr.Tiina Syrja

The Storm, a word which has so many metaphors. Not only in the Play of King Lear, where Lear looses his mind, but in other forms of literature. T

Twain relinquished that “weather is necessary to a narrative of human experience.” And Shakespeare told us- “minded like the weather’.  Lear is likeminded and chaotic like the storm. And in essence, these two writers are reflecting what all humans can feel internally.

Tiina Integral Yoga from Beck Stewart on Vimeo.

This was the final day of using the screen for a warm up class;: Yoga

Dr Tiina Syrja, is a Senior Lecturer in Acting at University of Tampere. Tiina is a speech therapist, yoga teacher, vocologist and is a teacher of the Alexander technique. I touched upon the Alexander technique in my previous blog “Embodiment, Mindfulness & Movement: Part 1”

The Alexander techniques was designed by F.M Alexander. He was an Australian actor who reflected and observed his human function. B.Rosenburgh 2008 describes Alexanders research Including body expression, posture, voice and body balance. By analysing and observing himself he discovered that through muscular interference he had not been using his body in the best way. He discovered that the tensions he was experiencing, were not always immediately felt but built up to a sensory value.  The methods he developed used systems within movement and body, that coordinated the distribution of the psychophysical process, starting with the head.

Categories Final Project : Immersive Telepresence in Theatre

Sisters of Sound – Sam ‘Frankie’ Fox Part 2

The Second Sister of sound was a lady called Sam ‘Frankie’ Fox, who is a performance artist and is part of the KILN Theatre Company, Birmingham.

Source: Artist: Sam ‘Frankie” Fox

The ensemble  is collaboration between a wide range of artists, that through a ‘collision of art forms they create original material that is lit with imagination , playful and focus is on the audience experience.  I had only ever heard of the KILN theatre, but had never seen one of their performance.

Tom on the other hand, has known Sam for a while amongst the Theatre scene. That morning in the theatre as we both pulled in at 7:30 am, it was a time to prepare for what day had planned. This was my brief of what and who to expect…. and by the end of what he had shown me on Youtube, I could see why Tom had asked Sam to come and teach, especially after working with Soila the previous morning.
What Sam was bringing to the table, complemented, added another layer and by the end of the session I could see the linking of human experience, embodiment & performance.





Sams describes her performances with KILN productions, as hitting the audiences in the  ‘heart, head and gutt.  The performances seem immersive for the audience members and specifically ‘The Furies’ production.Audience members enter more of a gig than a theatre.  It is playing with performance in a different way, to remove the audience member out of their comfort zone and displace them sensory, so that envokes something else within the self.

Categories Communication, Final Project : Immersive Telepresence in Theatre

Adobe Connect & King Lear:Online.


“Anyone can lecture from the butt, only very few can act.”
― Pawan Mishra, Coinman: An Untold Conspiracy

So Monday came and the drum roll began. The whole week of a technical set-up was the walk up the aisle to finally beginning this process of using telepresence as a technical form, to rehearse William Shakespeare’- King Lear (1604-1606). The students had been given their roles, scenes and acts. They had informally met through Facebook, however they were about to check into ‘Adobe Connect’. Whereby they would be given the bedrock knowledge and history of Shakespeare.


This was the Kickstart lecture, the day that the students would participate in an ‘Adobe Connect’ room. Whereby Tom could deliver his 2 hour lecture on the subject of Shakespearean theatre. In a normal situation a lecture would be in a classroom, directing this information outwardly.

‘Adobe connect’ is a conferencing software, that enables a multiple layered method to teach within a virtual space. This virtual space is essentially your classroom, whereby you can discuss and share content, videos and ask questions.

It gives another form of communication that is not normally seen within a lecture room or a classroom.  Whereby information is given, but the investment sometimes will not be received back. There is participatory culture, respect and less of ‘lecture’ form, whereby the investment of knowledge can be measured back, through the engagement and participation, that is visual and more intimate.

Participatory culture shifts the focus of literacy from one of individual expression to community involvement.

Henry Jenkins
Categories 21st Century Media Practice, Adventures, Art

Poets Project- Isle of Raasay.


IMG_1634 (1)

This was a holistic accelerated learning experience, to be able to connect with the land on a research level, emotional level through art and explore technical skills and apply them has been such an experience that has sincerly made me want to explore this further in my own creative practice and career.   I have never been to a place that has left me feeling like a part of me was left there and I am missing it. To have the sound of your hand being removed from your pocket that was so loud that my senses and ears had forgotten to scale the volume and I listened to the silence. We had to experience him, we had to listen to him.

The landscape was simply epic, surrounded by the Caledonian Mountains we scaled the Isle of Rassey upon foot and with the help of a minibus to get to our locations. We were there to document and connect with the island. We had previously been introduced to the poem “Hallaig” by Sorley Maclean.

“Time, the deer, is in Hallaig Wood

There’s a board nailed across the window
I looked through to see the west
And my love is a birch forever
By Hallaig Stream, at her tryst

Between Inver and Milk Hollow,
somewhere around Baile-chuirn,
A flickering birch, a hazel,
A trim, straight sapling rowan.

In Screapadal, where my people
Hail from, the seed and breed
Of Hector Mor and Norman
By the banks of the stream are a wood.”

( S.Maclean)

Categories 21st Century Media Practice, Art

Bill Viola, Yorkshire Sculpture Park & Giant Bunnies

Bill Viola is one of worlds modern, visual artists, who uses video and sensory artistry. He has for over 40 years created art in various forms, such as installations, architectural video installations, warped sound environments, while also commercial work for television. The environmental impact of the senses through perception is a way for humanity to explore self-knowledge. What is it to be human is the main question. He uses experiences such as birth, death and human consciousness. The work is spiritual both in methods and traditions.

The whole experience of going to see the exhibition at Yorkshire Sculpture park was one of a small self- exploration against the elements. We were warned that it was muddy, and yes it was. We were warned that it would be cold and yes it was. And finally we were told to wear sensible clothing…. we were a bunch of under-prepared misfits. But this was this first lesson.

Categories 21st Century Media Practice, Art

Art & the electronic Superhighway 2016-1966




The Electronic Superhighway is a back to the future, historical exhibition, displaying over 100 artworks and the impact of computer technologies and the Internet. South Korean Artist Nam June Paik originally coined the term Electronic Superhighway. He forecasted the idea of a global connection through the use of technologies back in 1974. The Exhibition starts with the technologies that we are familiar with in 2016 and takes this technical dreamscape back all the way to 1966 and finishes with “Experiments in Art & Technology” (E.A.T). EAT was an iconic art movement that took place in 1966.